Slowly, over 11 years and 22 feature films, not to mention some admirable TV shows sprinkled in between, Marvel has been training audiences to return to their screens again and again.
Just like Charlie Chaplin, Cosmo Kramer is seeing another kind of creature, one created through the absurd, interacting with the world, and seeing the out-of-control, spiralling outcomes.
Why Veep’s ending was hailed as a triumph, Game of Thrones’ ending was derided can be attributed to how deserving the characters were of the endings they received.
We take a look at John Brahms’ 1940s trilogy of psychological noir and how they help can help us predict and understand fascist ideology and the alt-right.
Gadsby delivers Nanette with not just a message, but a narrative, something more commonly described by another word when such a show is recorded – film.