Still/Born is able to successfully convey its material in large part due to the powerful performance of Christie Burke. We were able to speak with Brandon Christensen, director of the horror film Still/Born, which premiered on February 8th!
We were able to talk with James Fanizza; writer, director, producer and star of the film Sebastian, now available to rent and buy digitally and on DVD.
Have critics been too easy on Phantom Thread? Emily Wheeler examines how the tenets of auteur theory may be causing some viewers to overlook the film’s underdeveloped women and generic clumsiness.
Guest author Judy Sandra advises on how to turn a book into a screenplay after having gone through the process of creating a screenplay adaptation of her own novel that she will direct herself.
While over looked and low-browed by critics when first released, Sean Fallon takes a look at why Starship Troopers is a trenchant, satirical commentary on fascism, the military-industrial complex, and our love of violence, masquerading as a dumb actioner.
Juan Barquin and Trae DeLellis, curators of the drag film series FLAMING CLASSICS, reside in Miami, where they’ve witnessed a renaissance in their city’s arts and LGBTQ scene.
In this era of allegations of sexual misconduct, many have started to question the status quo. However, as with any problem as complex as this, there are far more symptoms than the obvious that need addressing, such as the age disparity in casting.
We were able to talk with Lauren Wolkstein, co-director of the thriller The Strange Ones, which is now available on VOD. We talked about the movies that inspired her, her experiences in the industry and the making of the film.
While a handful of trailers from 2017 did their job, they were the exception, not the rule. If the box office is to improve in 2018, we need better trailers that are more than just boring, random CGI explosions.
While managing to meaningfully touch on universal themes of community, self-identity, believing in others and caring for those in need, the messages of the Paddington franchise would mean so much more if it would just let go of its villains.
We explore how Guillermo del Toro’s Oscar nominated period piece The Shape of Water accurately reflects the prejudices still held in contemporary American society.