Features
Taking direct inspiration from the Coen brothers’ films, Noah Hawley’s Fargo is an exemplary summation of their absurdist philosophy.
In our latest collaboration, we discuss cinematic worlds we want to live in, ranging from John Ford’s Westerns to Jacques Demy’s musicals.
We were able to talk to Brendan Muldowney, director of the Irish medieval film Pilgrimage, starring Tom Holland.
We were able to sit down and talk with Francis Lee, director of the acclaimed upcoming British drama God’s Own Country.
Evan Mascagni is a former lawyer with a passion for righting the wrongs in the food industry. He talked to FI about his latest documentary.
The real power of scores is the intensity of feeling, the nostalgia of remembering, and (above all) the way it cements a film’s legacy.
To some audiences, the works of Shakespeare are synonymous with boring, old fashioned literature- these adaptations breathe in new life.
Film Inquiry writer Alex Lines was able to sit down and talk with Luca Guadagnino, director of Call My By Your Name and the upcoming Suspiria.
We spoke with Whose Streets’ Sabaah Folayan & Damon Davis about systemic racism in law enforcement and telling the human story of the Ferguson unrest.
Superman’s character is often criticized in the film Batman v Superman, but here’s why it might actually be worth a further look.
Film Inquiry spoke with Mulan writers Lauren Hynek & Elizabeth Martin about their adaptation, their WGAW committee work & the writer’s life.
Welcome to Take Two, the series that’s big enough to hold up its hands and…
In the summer films War for the Planet of the Apes, Wonder Woman, and Dunkirk, the serious subject of war is pandered down to its audience.
Nora Ephron’s You’ve Got Mail has been accused of everything from misogyny to being capitalist propaganda – Julia Smith thinks otherwise.
Yup, July’s flown by and tomorrow, it’s August. That means it’s time to reflect on another great month of content here at Film Inquiry!