Features
Film Inquiry spoke with Mulan writers Lauren Hynek & Elizabeth Martin about their adaptation, their WGAW committee work & the writer’s life.
Welcome to Take Two, the series that’s big enough to hold up its hands and…
In the summer films War for the Planet of the Apes, Wonder Woman, and Dunkirk, the serious subject of war is pandered down to its audience.
Nora Ephron’s You’ve Got Mail has been accused of everything from misogyny to being capitalist propaganda – Julia Smith thinks otherwise.
Yup, July’s flown by and tomorrow, it’s August. That means it’s time to reflect on another great month of content here at Film Inquiry!
We spoke with Executive Director Dave Cowen of The Roxie Theater in San Francisco about the art of screening celluloid film and how they keep film alive.
Straight Outta Compton brilliantly displays the legendary gangster rap group N.W.A., and masterfully captures their world.
The Aubrey Plaza starring comedy The Little Hours has caused controversy in the catholic community – but is it detrimental to the religion?
The most absurd assumption about saying films “transcend genre” is that works of genre are somehow so trivial that they are apolitical.
Wonder Woman and Atomic Blonde have proven that women can have strong leading roles; here are more that show our favorite cinema heroines.
Though released in 1979, THE WARRIORS has a video game structure that would prove as influential to the artform as games themselves.
It Comes at Night advertises itself as horror, but is in actuality a more atmospheric, spine-tingling thriller; here’s why this was an issue.
Passengers, upon release, was panned as a misogynistic fantasy; but here’s why it might actually be more progressive than that initial take.
Gone is the heyday of the classic 90’s romantic comedy, but why is it that so many contemporary romantic comedies fail?
If done right, a Grand Theft Auto adaptation would be thrilling, hilarious, and could be one of the most ambitious adaptations ever produced.