Features
Out of all of the Batman movies I have seen, the 1989 version is the best, and director Tim Burton captures the moody magic of Batman with a deft hand.
Ultimately, films like The Craft, The Love Witch, and even The Witch wouldn’t be the same without Romero’s should-be classic, Season of the Witch.
Gone With the Wind is considered an essential watch for anyone who enjoys cinema and one of the original blockbusters. But, how is it away from the hype?
The Human Centipede trilogy is arguably one of the most infamous horror films of recent decades, spawning a cult fandom of midnight moviegoers.
There’s no arguing about how incredibly, wildly, and gleefully gay Jackass is.
While the Boston movie itself seems to have gone the way of the Western, the appeal of its core themes, and its sensibility seems to remain.
Theo Angelopoulos is an award-winning, visionary director, yet his work is largely unavailable on DVD or streaming.
A look into the widening berth of genres within the Marvel Cinematic Universe and why deviating from the same-old superhero movie is best.
What were some of the best film scores from last year? Here we take you through the frontrunners!
How does the 1997 Oscar-winning Titanic hold up away from the hype? Let’s find out!
Whatever story Bay tackles next, we should not anticipate certain thematics because, after Ambulance, there seems to be a humanist and caring side to him.
A breakdown of Roar, or “the most dangerous film ever made”, where half of the cast and crew suffered injuries from the film’s big cats.
Good editing or not, Corwin’s impressive, ambitious work in Don’t Look Up is at least highly expressionistic and motivated.
The tools for articulating Asian cultures and histories are being kept out of the hands of Asian and Asian-American composers, and that needs to change.
Waterworld is not perfect, it’s not as well-crafted and clever as the Mad Max franchise it’s clearly based on, but it is a great time.