Features
Let me know if you’ve heard this one. A man wakes up after an accident with no memory of who he is or where he’s been, and while incredibly disabling, his predicament leads him down a lengthy search to discover his past and identity. This and other uses of memory loss have been popular in film for generations.
As a society, recent events have left us more divided than ever. The people on one side of this socio-political argument are trying to undermine unrepresented voices in the culture by calling for a cry back to the “good old days” and using hateful rhetoric in order to get what they want. The other side are being labelled as mere “liberals” with a politically correct agenda that isn’t attuned to the desires of the majority of people.
Last week, I had the pleasure to talk with Emily Best, who founded the company called Seed&Spark, a crowdfunded film studio. Seed&Spark helps independent filmmakers crowdfund their films, produce them and distribute them. In their own words:
“Based on a true story.” “Based on true events.” “Inspired by actual events.
Sexism in film has been a topic of discussion since the rise of feminism, and in particular, since Laura Mulvey’s 1970’s research into ‘the male gaze’ in cinema. Fortunately, modern films are slowly but surely making a conscious effort to break down stereotypical gender roles and tired one-dimensional characters, but when it comes to the classics, many of the limited and restricted archetypes we try to move away from today are showcased in these films. This year, Alfred Hitchc*ck’s mystery thriller Vertigo was voted the greatest film of all time by a BFI poll.
My grandmother loves films, and she’ll watch pretty much anything. To give you an idea, she loved Snakes On A Plane and her favourite film is Deliverance. She also rues the day I took her to see A Scanner Darkly.
Back in 1993, Steven Soderbergh just came off the disappointment that was his ambitious yet unloved second feature, Kafka. He turned his attention to a property best described as a sure-thing, a money grab, if you will; writer A. E.
We have plenty of excellent and notable films about women in wartime, but their narratives are all too familiar. Often the female protagonist is waiting for the return of her husband or lover, or she is grieving at sending her sons off to war (The Marriage of Maria Braun, Private Peaceful). Sometimes, the war itself exploits and manipulates the nature of our protagonists leading them to betray their country (Rome Open City, to name but one).
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is critically-hated films that deserve a second chance.
“Inside each and every one of us is one true authentic swing … Somethin’ we was born with … Somethin’ that’s ours and ours alone …
Growing up as a first generation Asian American, I looked to television and cinema for hints to “fit in” with all the other Americans, to improve my grammar and English, to embrace the idea of being American. In that transition, I severed some of my Filipino roots. I can understand Tagalog, but I can’t speak it.
Director Yorgo Lanthimos first grabbed the world’s attention with Alps and the seismic Dogtooth. Recently, he sprung another biting, absurdist satire into the festival circuit with The Lobster. It takes place in a world in which relationships are mandatory; the characters, all newly single, or newly of age, are detained in a hotel that works, basically, as a deadly speed dating service.
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is movies made for TV.
Films and culture provide us with scripts that help us make sense of dating and sexuality. Unfortunately, many of the scripts are outdated.
German expressionism was an art movement that began life around 1910 emerging in architecture, theatre and art. Expressionism art typically presented the world from a subjected view and thus attempted to show a distorted view of this world to evoke a mood or idea. The emotional meaning of the object is what mattered to the artist and not the physical reality.