Features
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is underrated horror films from the 1980’s.
A while ago, I had the pleasure of speaking with one of the members of the legendary band Green Jelly, Matt Groopie. I had originally planned on speaking with Matt about the small Canadian tour that Green Jelly had taken in the beginning of May, but my plans changed quickly after experiencing what I considered to be one of the most entertaining live shows I had ever seen. That being said, I should make it clear that I’ve been to hundreds of shows and concerts.
Another month’s gone by, one in which we published another great bunch of excellent articles! We reviewed a ton of movies, like Despite The Falling Snow, California High, Sing Street, Captain America and Jane Got A Gun. We recommended great Australian genre films, silent films, and women-directed horror films, and published about how we humans can fall in love with artificial intelligence, and how that’s portrayed in film.
It’s Space Jam Week! Everybody get up, it’s time to slam now. We got a real jam goin’ down.
It’s Space Jam week! Anyone familiar with voice acting will immediately recognize the name Mel Blanc. For decades, Blanc popularized the art of voice through many iconic cartoons, among them including, of course, nearly every major original Looney Tunes character.
It’s Space Jam week! We currently live in an age where sequels are determined by the success of a film’s opening weekend, announced on the morning after a healthy weekend gross is reported. Heck, in some cases, films get sequels before they are even released to success in the first place; but for every Guardians of the Galaxy that would happily boast it would return, you have a Last Witch Hunter with a broken ego and a failed franchise.
Varda Bar-Kar’s latest documentary Big Voice follows the lives of a Santa Monica school choir over the course of a year, under the instruction of their inspirational yet no-nonsense teacher. Mr Huls, teacher extraordinaire, is an intriguing character – full of passion and with motivation to make the choir bigger and better than ever before. Whilst Mr Huls is certainly the driving force in the documentary, it is Bar-Kar’s interviews with the students which are arguably most interesting.
Hey, it’s Space Jam Week! Among totems of ’90s nostalgia, few remain as prominent and present in 2016 as Space Jam. The film was Warner Brother’s attempt to turn Michael Jordan’s cultural capital cinematic, as well as the first use of their iconic stable of cartoon characters in a feature since the compilation films of the ’80s.
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is Silent Films from the 1920’s that are worth seeking out.
One annoying trend nowadays is for people to mix their genuine reactions to a film with the hype and varied opinions of others, judging it not on its content, but what you thought it was going to be. Quentin Tarantino flipped heads last year with The Hateful Eight, a considerably slower but angrier entry into his filmography, which caused anger amongst many filmgoers who were expecting another Spaghetti Western tribute that mixed modern music and quick-paced action. This highlights the problem with auteur theory and the reliance of marketing in the current movie climate, where many movie marketeers either must spoil an entire film within the trailer to gain the audience’s confidence to go see it or mismarket a film because they’re unsure on how to sell a unique/niche product to a broad audience.
As a wise man once said “time keeps on slippin’ slippin’ slippin’ / into the future.” It’s pretty gross to think about, but the seminal event in all of our lives, Space Jam, turns 20 this year. Seems like just yesterday that Michael Jordan rescued Bugs, Daffy and the gang from a lifetime of cosmic-slavery, but here we are.
The subject of mental illness and disorders are interesting, educational, and sometimes sensitive topics in film. From watching movies like Girl, Interrupted, The Road Within and The Machinist, audiences learn a great deal about very real and problematic issues surrounding sufferers, however, can it be said that these representations are portrayed correctly? The film industry is guilty of depicting disorders such as hysteria as an illness that only women suffer from, and autism is far too often painted as a superpower, not to mention the unclear representation of schizophrenia, which causes audiences to confuse the illness with dissociative identity disorder.
A common stereotype in film is that women don’t work and have no career. What can we learn from the films in which women’s careers are at the forefront?
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is Great Australian Genre Films.
Watching movies is a favorite pastime for people around the globe, and they engage in it for various reasons. You could say pictures are the ideal form of escapism, but I would argue that they are also much more than that. The movie is a portal to another world where we immerse in fantasy, drama, suspense, laughter, but also art and design.
