Features
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is female-directed horror films.
Stanley Kubrick’s classic sci-fi epic, 2001: A Space Odyssey, is a fictional transcendence of classic Greek mythos through the ubiquity of the motion picture camera. As the film’s title suggests, this is Greek philosopher Homer’s The Odyssey told on the grandest of scales and sparing no expense that 20th Century cinema had to offer.
It’s been quite some time since my last volume of Words vs. Moving Pictures, in which I discussed Harper Lee’s To Kill A Mockingbird and compared it to the 1962 film. Since then, it has taken me a long time to try to find another book and subsequent movie adaptation that would be worthy of discussion.
The ideology of originality in modern day cinema is a debate that is frequently discussed and examined, comparing it to what was considered the ‘Golden Age of Cinema’ in the 1900’s. Particularly regarded are the similar story lines and plots that are overused and are becoming somewhat identical, which can comprise of reboots of existing features, superheroes, etc. Along with the sheer amount of sequels that reoccur frequently even when audiences may not particularly want them, leading to them being ignored or neglected.
Joe Versus the Volcano came out in 1990. It stars Tom Hanks and Meg Ryan. It’s full of camp, love, adventure, musical montages, and over-the-top acting.
It may be fair to first point out that the question of this article has always been a conflicting issue that continuously floats around in the film industry. People often perceive the growing medium of cinema as a device for entertainment or as a brief, escapist distraction from society’s painful realities. This experience has impacted on how people think and behave within society, and Hollywood continue to question the extent to which films influence reality.
I’m very happy to announce that we get to give away a super awesome prize pack! Valued at AU$140, you can win an in-season double pass to The Man Who Knew Infinity starring Dev Patel and Jeremy Irons (opening in cinemas Australia-wide on May 5), as well as six DVDs: I’m Not There, Love & Mercy, Nowhere Boy, Slumdog Millionaire, The Motorcycle Diaries and The World’s Fastest Indian.
It has been five weeks since Batman Vs. Superman debuted at cinemas worldwide to a gargantuan opening weekend, followed immediately by toxic word of mouth that has caused the film to fade into irrelevancy even as it is still playing in theatres. The fact it could have potentially derailed Warner Bros.
As the title indicates, I have epilepsy. If you ran into me on the street, it’s not something you’d be able to tell about me by looking. That’s not how epilepsy works, generally.
Many of us find escape in our imagination. Fantasy allows our mind to slip away into worlds that differ in ways both big and small from the one in which we most commonly reside. In the 1999 film American Beauty, fantasy takes hold of many of the characters within the story and offers escape to those who lean into it.
“The horror genre gets (us) in touch with our primal instincts as a people more than any other genre I can think of. It gives (us) this chance to … reflect on who we are and look at the … uglier side that we don’t always look at, and have fun with that very thing.” —Drew Goddard (IMDb) I may be a little late to the party (by about four or five years) but for those of you who have not yet seen Drew Goddard (writer and director) and Joss Whedon’s (writer and producer) The Cabin In The Woods be forewarned, this article contains spoilers.
In the beginning, there was light. It moved, it danced, it enthralled, but in the end, it was just light. Even in the silent era, exhibitors recognized the value of sound, coming up with a wide array of live and pre-recorded solutions to the problem of representing reality with only one of our five senses (and drained of color at that).
Ever since Jaws hoovered millions of bathers off the hot sandy beaches and into the cinemas in 1975, the Summer Movie Season has been the defacto launch pad for the biggest Hollywood blockbusters of each year. Along with Christmastime, the summer window between May and the end of August is where you would traditionally find the mega-budget sequels and franchises whipping audiences into a deranged frenzy with coffer-drainingly expensive promotional campaigns. So what was Batman vs Superman:
The membership of the Academy of Motion Picture Arts and Sciences is 94 percent white. Equally real and shameful is the fact that 94 percent of top-grossing films in this country are directed by men. In addition to shameful, the words real, facts, and equally are important here.
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is female-directed French films.