Film Festivals
The Power of the Dog unfolds deliberately, and purposefully, revealing beauty in the unconventional corners of the narrative and terror in the silence.
Sleeping With Other People aptly captures humor while offering a generous dose of heartfelt moments.
Fair Play is a hauntingly realistic depiction of toxic masculinity and sexual politics centered within the cutthroat and challenging world of high finance.
When Evil Lurks proves itself a visceral horror that will get under your skin.
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
Kristy Strouse spoke with Christian Sparkes for his film The King Tide, along with its two stars!
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.
With a simple premise but endless complexity, Monster sees Hirokazu Kore-eda’s compassion and empathy presented at such a masterful level.
Unfortunately, every single second that came before the ending in Alice & Jack was terrible.
Youth (Spring)’s 3-plus hour length is not only necessary, but an absolute gift to sit through.
Capturing the beauty of everyday life, Here is a beautiful exploration of humanity and our quest for understanding.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
The uber-formalistic approach of The Zone of Interest may strike some as unfeeling and morally empty, but it’s an authentic film.
With the second report from TIFF we are brought three wildly different films, and a TV series, all bold in their individual ways.
While Perfect Days is minimalistic and quiet, almost to a fault, Les Indésirables is a bombastic cinematic experience.