Film Festivals
In our latest report from the New York Film Festival, we cover Motherless Brooklyn, Wasp Network and American Trial: The Eric Garner Story.
The National Film Festival for Talented Youth (NFFTY) showcases the work of young filmmakers from around the world. We highlight five short films from the opening night.
From October 4th to 6th, inside Melbourne’s wonderful Cinema Nova, the inaugural MQFF eXtra took place, highlighting some of the best LGBTQ films from around the world.
More reviews from this year’s London Film Festival, including Bad Education, The Painted Bird, Rocks and Vivarium.
Monique Vigneault settle down over tea with Ina Weisse to talk about her latest undertaking: The Audition, a portrait of a frayed music teacher at a prestigious Berlin academy.
My Zoe goes beyond expectations by delving into the emotional ruins of conflicting morality with such perfection, and proves Julie Delpy to be a truly remarkable filmmaker.
Kristen Stewart surrenders fully to the character, embodying Jean Seberg to an almost unearthly effect.
A coming-of-age film which strives for irreverent authenticity, Our Ladies ends up clunky, a little cringey and uninspired.
More reviews from LFF 2019, including the directorial debuts Babyteeth and Calm with Horses, as well as Olivier Assayas’ Wasp Network.
Not only does White Riot present a compelling case of why the fight against racism isn’t over, it makes you want to join in.
More reviews fresh from this year’s London Film Festival, including Hope Gap, Just Mercy and Exorcist documentary Leap of Faith.
With an intriguing story and a craftsmanship in filmmaking, The Wild Goose Lake is a ride you want to be on, holding on to you until the very end.
Bong Joon-ho has put together an intricate, multi-layered portrait of inequality and class. At the same time, he keeps the experience fun and intoxicating.
With Portrait of a Lady on Fire, writer-director Cèline Sciamma has created something extremely precious. Read our coverage from NYFF 2019.
Blood Quantum manages to be creative, while somehow also maintaining the zombie apocalypse genre’s known sensibilities.