Interviews
Gabriela Lopez, star of The Browsing Effect, speaks to Jim Dixon about the realities of dating for millennials.
Asher Luberto spoke with Mary Magdalene director Garth Davis about the film’s timeliness, influences, and the honest-to-God miracles that took place on set.
Marisol is an eye opening experience for the viewer, its intensity and visual representations resonating long after the short has ended.
We were able to speak with Justin O’Neal Miller, writer and director of the comedy short about American suburbia called Peggy.
Liam O Mochain, the writer director and star of Lost & Found, talks about the five year process of making his portmanteau film.
Film Inquiry spoke to director Carol Morley about Out of Blue, why she chose to adapt a Martin Amis novel, and why Patricia Clarkson is a gay icon.
We were able to speak with Gilles Lellouche, director of the sports comedy about synchronized swimming called Sink or Swim.
We spoke to actor Cory Michael Smith about his debut lead role in 1985, which played at the Melbourne Queer Film Festival.
Finding Steve McQueen, a fact-based heist movie, marks a distinct change of direction for writer/director Mark Steven Johnson. We spoke with him.
We were able to talk with Yen Tan, writer and director of the 1980s-set drama about AIDs called 1985.
At this year’s Sundance Film Festival we sat down with To The Stars director Martha Stephens and leads Liana Liberato and Kara Hayward.
We were able to speak with Laure de Clermont-Tonnerre, co-writer and director of the upcoming drama The Mustang, starring Matthias Schoenaerts.
In this report from Sundance 2019, Kristy Strouse covers three films: The Sharks, After the Wedding, and The Mustang.
Film Inquiry’s Samantha Celentano talked to Yoshi Sudarso about Buffalo Boys, and the rarity of seeing Asian-American cowboys on the big screen.
We spoke with Miranda Tapsell, star and co-writer of the Australian romantic comedy Top End Wedding.