For so many reasons, My Undesirable Friends: Part I – Last Air in Moscow is essential viewing.
Human Shield is a film that deserves to be watched thoughtfully, sat with, and truly considered.
Anybody who knows anything about Chevy Chase knows that he’s an asshole. He started fights…
Erupcja captures the fleeting magic of vacationing in a foreign land and wanting it to somehow last forever… though, it wouldn’t be very magical anymore.
Film Inquiry spoke with writer/director/composer of We Do Our Best, Hannah Ammon.
Obsession is a slyly well-structured and blackly comic monkey’s paw romp that draws you in and keeps you hooked from start to finish.
The Snake feels like a movie that is desperately trying to create chaos instead of letting its lead character naturally conjure it up.
Project Hail Mary may not be a groundbreaking achievement, but it’s sure to give you some escapist entertainment for 2+ hours.
The Stranger is visually stunning, well-acted, and rich with the heady atmosphere one gleans from the pages, but still leaves you wanting more.
It ain’t SXSW if we’re not getting our horror and action comedies. This year is no different, as we get some of the most unhinged headliners to date.
Home Delivery offers a warm, often funny, and occasionally uneven experience that wears its heart openly.
Caroline Golum’s sophomore feature boasts a highly stylized, homespun aesthetic that is guaranteed to charm you.
There are a lot of different kinds of love, and whether it be familial or romantic, it never comes easy. We take a look at two such films at SXSW:
This year SXSW did it again and selected some of the weirdest, wackiest, and most laid-back comedies.
These three SXSW titles shook up the status quo and took (mostly) unexpected turns to create something exciting.