Film Reviews
Guillaume Pierret’s Lost Bullet is a wannabe Mad Max that takes in pride in flaunting its no-nonsense action movie tag.
The Truth is an impeccable and intimate view into the quietly tumultuous relationships between mothers and daughters and the shape they take into adulthood.
At the center of Woo Min-ho’s The Man Standing Next lies a political scandal that has puzzled historians for decades.
If you are in the mood for a light, funny, horror-comedy – heavy on the comedy – Useless Humans is something special.
The kind of film that could only come from the mind of Werner Herzog, Family Romance, LLC is absolutely fascinating.
House of Hummingbird isn’t the easiest of films to watch, but it is definitely one of the most rewarding.
Wilmington on Fire maintains its path of creating a strong and comprehensive account of the political mood of the time and the world that was left.
Fisherman’s Friends eagerly invites its audience in and provides a worthwhile and heartwarming story that will have you humming along.
Every moment of Homewrecker, crazy or scary or just plain weird, is played with a lightness that makes it a joy to watch.
A Girl from a Box is a light-hearted short that manages to delve deep into modern relationships with a funny and delicate touch.
Despite feeling disjointed at times, Wake Up: Stories from the Frontlines of Suicide Prevention is a highly informative piece of filmmaking.
Welcome to Chechnya is likely to be the most urgent documentary of the year, but makes many exploitative missteps along the way.
James Benning’s latest work examines the ghostly spaces of human inhabitation through its austere and formalist rigour.
This Teacher isn’t a commercial film in its treatment of character, theme and aesthetic. But it’s one that deserves a mainstream audience.
Featuring a strong performance by Bill Nighy and not a whole lot else, there isn’t much in Sometimes Always Never to make this film stand out.