Film Reviews
Dangerous Lies isn’t a terrible film. If you set your expectations appropriately, it can actually be an entertaining movie.
Picture a Scientist is the documentary we need to continue the call for action, to continue awareness, and to remind those who would abuse a system, we see you.
Closeness is an intriguing debut film that is marred by one incredibly bad choice on the part of its director.
Thankfully there are films like Solitary to shed a light on the injustices that dehumanize our citizens and poison our justice system.
As Hong Kong cinema continues to evolve, a film like Suk Suk is both important and necessary in reshaping the industry’s overall identity.
Death of Nintendo doesn’t aspire to break any creative ceilings, but does perfectly fine within its own creative sandbox.
The Man with the Golden Arm’s outlawed aesthetic and spirit make it a tangible and lasting achievement.
At 83 minutes long, Driveways is a mini marvel because it appears so slight yet bears manifold treasures.
Transnistria is a rare gem, straddling documentary and drama to allow an intimate look at a relic of a past time.
Unfocused to the core, Capone will leave viewers with more questions than answers.
Neon Bull employs the unique routine of rodeos to approach – and subvert – gender stereotypes.
Alice is a film that should enlighten anybody, because it’s about society as much as it is about Alice herself.
Castle In The Ground is undeniably effective in its portrayal of the opioid crisis, but loses itself in its hopeless narrative. Maria Lattila reviews.
The Wolf House uses stop-motion animation to render the world inside the titular house as an ever-evolving nightmare, and is completely immersive despite its freakiness.
Blood and Money is so content to occupy the safe middle ground without ever doing anything of interest, that it feels like a heartless exercise.