Film Reviews
Vivarium is a strange beast and not everything works within its bizarre world, but it’s an endlessly compelling watch.
Despite an all-star cast of respectable and often captivating actors, The Last Thing He Wanted ultimately falls apart due to its convoluted storytelling.
Suffering from poor editing and poor character development, Run This Town seems fated to become lost in a sea of releases.
Wilson Kwong reviews two films from emerging filmmakers that screened at Berlinale 2020: Ordinary Justice and Pari.
This telling of White Snake adds an action-fantasy plot to its romance story, and feels like a mesh of other fantasy films you’ve seen before.
For our second report from the Fantastic Film Festival Australia, we take a look at…
The Roads Not Taken is surprisingly immersive and punctuated with many emotional beats along the way.
There are real issues to address in Greed, yet there feels to be very little intent to showcase these.
The Lodge is inventive, it’s clever and it’s pretty damn spooky. If you’re a horror fan, don’t let this one slip under the radar.
From its opening scene of a mansion overlooking the ocean to its anxiety-inducing conclusion, The Invisible Man brings Universal Monsters to a whole new level.
To say that Tsai Ming-Liang’s Rizi is a challenging film would be understating the staggering experience of actually watching the film.
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.
The London Human Rights Watch Film Festival will be presented from 12 to 20 March 2020, featuring empowering documentaries and dramas celebrating courageous people.
The Wild Goose Lake’s glaring missteps aren’t enough to sink the film and its overall affect, which remains consistent and engaging throughout.
In our final review from Sundance 2020, Janet Lee reviews MinarI, a film that brings an honest story of family, love, selfishness, and humility.