SHE'S IN PORTLAND: A Lush Buddy Film Lacking Heft
SHE’S IN PORTLAND: A Lush Buddy Film Lacking Heft

In She’s in Portland, the elements feel superficial, with the core relationship feeling especially hackneyed.

DEAD SOUND: Do Not Let This One Go Quietly Into the Night
DEAD SOUND: Do Not Let This One Go Quietly Into The Night

Coupled with skill in front and behind the camera, It is not gore or a body count but pure tension that pulsates through Dead Sound, pushing it forward.

DOWNHILL: Skiing Across Yellow Snow
DOWNHILL: Skiing Across Yellow Snow

Downhill skews and scraps the richness of its predecessor and replaces it with dragging drama and cringy comedy.

Sundance Film Festival 2020: POSSESSOR & BE WATER
Sundance Film Festival 2020: POSSESSOR & BE WATER

Wilson Kwong ends his coverage of Sundance with reviews of Brandon Cronenberg’s Possessor and a documentary detailing the life of a Hong Kong legend (Bruce Lee, in Bao Nguyen’s Be Water).

THE MISOGYNISTS: Making Sense Of The Mess We're In
THE MISOGYNISTS: Making Sense Of The Mess We’re In

In spite of some of its trip-ups, it’s hard to find something so genuine in its portrayal of the prevalent anger and worry of these times.

THE WHISTLERS: Labyrinthine Crime Saga Is Stoic, Efficient & Strangely Poignant
THE WHISTLERS: Labyrinthine Crime Saga Is Stoic, Efficient & Strangely Poignant

Pivoting from steely resolve to emotional profundity, the brilliant evolution in its final moments cements The Whistlers as an unconventionally thoughtful experience.

THE CALL OF THE WILD: A Pleasant Watch Despite A Meandering Story & Distracting CGI
THE CALL OF THE WILD: A Pleasant Watch Despite A Meandering Story & Distracting CGI

This adaptation of The Call of the Wild doesn’t quite have the same impact as Jack London’s bold portrayal of nature versus man. But it’s hard to decry it all the same.

FLINT: THE POISONING OF AN AMERICAN CITY: Unraveling an American Crime
FLINT: THE POISONING OF AN AMERICAN CITY: Unraveling An American Crime

It has been all too easy for many to forget about what happened and is still happening in Flint. That alone should make this documentary essential viewing.

COME TO DADDY: A Vicious, Twisted Terror

Come to Daddy oozes Timpson’s remarkable devotion to the emotional, surreal and vicious with grotesque gusto.

THE PROFESSOR AND THE MADMAN: The Act Of Definition
THE PROFESSOR AND THE MADMAN: The Act Of Definition

The Professor and the Madman limps out as a woefully half-baked and overcooked spectacle that mistakes reality for relevance.

STANDING UP, FALLING DOWN: A Minor Vehicle For The Comedy's Stars
STANDING UP, FALLING DOWN: A Minor Vehicle For The Comedy’s Stars

Unfortunately, Billy Crystal and Ben Schwartz aren’t enough to elevate Standing Up, Falling Down to success.

Slamdance 2020: BIG FUR & TAHARA
Slamdance 2020: TAHARA & BIG FUR

Kristy Strouse was able to catch a couple Slamdance 2020 films, Big Fur and Tahara, and both were wildly different, but equally compelling.

VFW: A B-Movie Homage That Earns A C
VFW: A B-Movie Homage That Earns A C

VFW is dumb fun, but unfortunately not nearly as much as the description would make it sound.

TO ALL THE BOYS: PS. I STILL LOVE YOU: Can’t Quite Recapture The Magic
TO ALL THE BOYS: PS. I STILL LOVE YOU: Can’t Quite Recapture The Magic

Lara Jean Covey is back and more relationship trouble is ahead for her, but the sequel feels like a missed opportunity. Maria Lattila reviews.

THE PATIENT MAN: 'Strangers on a Tram' and the Art of Revenge
THE PATIENT MAN: ‘Strangers On A Tram’ & The Art Of Revenge

The Patient Man is a well-constructed thriller which deserves to be seen not only on the strengths of its convictions, but also for what it aims to achieve.