Glasgow Film Festival 2020: Round-Up
Glasgow Film Festival 2020 Round-Up

In his final round-up of Glasgow Film Festival 2020, Daryl McDonald reviews the French films Les Miserables and Les Traducteurs, as well as Vivarium and James VS His Future Self.

SXSW 2020: THE DILEMMA OF DESIRE: An Education On Female Pleasure
SXSW 2020: THE DILEMMA OF DESIRE: An Education On Female Pleasure

The Desire of Dilemma is an eye-opening and a vital informational showcase on female sexuality for everyone, today, yesterday and tomorrow.

CRIP CAMP: Beautiful History Lesson On Disability Rights Movement
CRIP CAMP: Beautiful History Lesson On Disability Rights Movement

Crip Camp is a beautiful, wonderfully entertaining and insightful history lesson on civil rights for the disabled in America.

Glasgow Film Festival 2020: DENMARK
Glasgow Film Festival 2020: DENMARK

Denmark isn’t really interested in trying to answer any questions it raises, instead it is content to muse on the journey of one man who just wants a better life for himself.

THE LEUNIG FRAGMENTS: The Product Of A Reluctant Subject
THE LEUNIG FRAGMENTS: The Product Of A Reluctant Subject

The concept of a documentary feature exploring Michael Leuni, such an eminent figure of Australian culture, was promising, but eventually disappoints.

SXSW 2020: THE BOY WHO SOLD THE WORLD
SXSW 2020: THE BOY WHO SOLD THE WORLD

The Boy Who Sold the World is a captivating documentary looking into the world behind the technology of apps, and the minds of the youth who are set on changing the world.

DARK WATERS: A Gritty Look At Corporate Greed And Deception
DARK WATERS: A Gritty Look At Corporate Greed & Deception

Dark Waters is poignant, infuriating, and anxiety-inducing in the best possible way, and serves as a reminder of the importance of compassion and responsibility — now more than ever.

BURDEN: An Unwieldy Load
BURDEN: An Unwieldy Load

Burden’s misfires are too numerous to hit on any sort of reality, making it a frothy and less than ambitious piece of entertainment.

SPENSER CONFIDENTIAL: Wahlberg & Peter Berg's Mediocre Reunion
SPENSER CONFIDENTIAL: Wahlberg & Peter Berg’s Mediocre Reunion

Spenser Confidential feels generic, tonally confused, and most importantly, the product of a workmanlike filmmaker clearly out of his element.

SXSW 2020: CODED BIAS
SXSW 2020 Review: CODED BIAS

Coded Bias makes its primary focus on a the bias of facial recognition and the abuse that technology poses both currently and in the future.

SXSW 2020: I WILL MAKE YOU MINE: Make this Yours
SXSW 2020: I WILL MAKE YOU MINE: Make This Yours

Despite a few stumbles along the way, I Will Make You Mine is a deeply nuanced directorial debut and character study that will leave audiences satisfied.

Berlinale 2020: UNDINE And THE INTRUDER (EL PRÓFUGO)
Berlinale 2020: UNDINE And THE INTRUDER (EL PRÓFUGO)

Wilson Kwong reviews two more films from Berlinale 2020: Undine and The Intruder (El Prófugo).

THE HUNT: The Guns Don’t Misfire, but Everything Else Does
THE HUNT: The Guns Don’t Misfire, But Everything Else Does

The Hunt is a textbook example of trying to force a story into a concept, rather than giving the story its due.

SXSW 2020: THE CARNIVORES
SXSW 2020: THE CARNIVORES

The Carnivores is an effective psychological foray that may be divisive among some, but is worth biting into, to really appreciate the talent within.

MARCEL DUCHAMP: ART OF THE POSSIBLE: How One Man Redefined Art
MARCEL DUCHAMP: ART OF THE POSSIBLE: How One Man Redefined Art

Marcel Duchamp: Art of the Possible provides a pleasant and appealing overview of Duchamp’s life and career without truly challenging the viewer.