Film Reviews
Come to Daddy oozes Timpson’s remarkable devotion to the emotional, surreal and vicious with grotesque gusto.
The Professor and the Madman limps out as a woefully half-baked and overcooked spectacle that mistakes reality for relevance.
Unfortunately, Billy Crystal and Ben Schwartz aren’t enough to elevate Standing Up, Falling Down to success.
Kristy Strouse was able to catch a couple Slamdance 2020 films, Big Fur and Tahara, and both were wildly different, but equally compelling.
VFW is dumb fun, but unfortunately not nearly as much as the description would make it sound.
Lara Jean Covey is back and more relationship trouble is ahead for her, but the sequel feels like a missed opportunity. Maria Lattila reviews.
The Patient Man is a well-constructed thriller which deserves to be seen not only on the strengths of its convictions, but also for what it aims to achieve.
Colorful, funny, and filled with great performances, Sonic The Hedgehog is a surprisingly above-average video game adaptation.
There are definitely moments in The Photograph that briefly feel like the Valentine’s Day treat it should be. But ultimately, it falls flat.
Sundance docs Bloody Nose, Empty Pockets and Acasa, My Home both investigate what happens when the only thing you’ve known to be your life and home suddenly gets stripped away.
Ahead of Fantastic Film Festival Australia’s February 20th launch date, Alex Lines previews two of its most eclectic entries: Nobadi from Germany and Diner from Japan.
What Love Looks Like brings very little to the table in terms of originality or likeability. You’ve seen it all before, done better, and in more captivating ways and with better acting.
The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.
The Personal History of David Copperfield is a truly sincere retelling of Dickens’ story, one that taps into a new contemporary edge and presents itself in a distinctly cinematic fashion.
The story isn’t particularly revelatory, but the idiosyncratic humor and Zoey Deutch make Buffaloed a fun film.