Film Reviews
Game of Thrones’ bad writing of Sansa and Brienne and the racially fraught implications of the episode’s ending, make this episode a huge letdown.
From Mexico, to the Midwest to the Bronx, Lee Jutton reviews three wildly different coming-of-age films from this year’s Tribeca Film Festival.
Just Say Goodbye is a laudable strive to enlarge the implications and the all-inclusive consequences of suicide.
With the most creative kills anywhere, a deeper mythology, and great additions to the cast, John Wick: Chapter 3 – Parabellum is even more deadly and enjoyable.
Tolkien is competently made, beautifully visualised and at times even excellent, with Nicholas Hoult providing much needed heart in the lead.
The Biggest Little Farm is a gorgeous documentary on par with the raw beauty of Planet Earth or any other nature documentary.
Subversive, icky and incessantly spellbinding, writer-director Anthony Stabley operates artistically well in Everlasting.
Young adult love stories will always have an audience, but After was trite, formulaic, and lacking in any kind of sparkle.
We sat down with Nick Borenstein, writer, director and star of shorts Sweater and 99, both featured in the N.O.W. section at Tribeca Film Festival.
In our first short film recap from Tribeca 2019, we review The Neighbor’s Window, Bunker Burger, Momster, 40 Minutes over Maui, Zero, 99 and Sweater.
While bowing out to a mostly satisfying conclusion, Shadowhunters did enough to quench our desire for more.
Like Miyazaki, Kosaika focuses on growth as a result of loss and ties it with the spiritual and fantasy world in Okko’s Inn.
Straight from Tribeca 2019, Kristy Strouse reviews Two/One, A Day in The Life of America, The Kill Team and spoke the cast and director on the red carpet.
Tell It to the Bees is a pretty dreary period piece, and one that doesn’t sit well in the current landscape of queer cinema.
The Chaperone is a film that’ll be gone by the month’s end, swallowed by the studio system and erased by this year’s loaded summer season.