Film Reviews
Out of Blue can’t be faulted for its ambitions, but there’s a lack of focus, oscillating wildly between genres and never satisfying as any.
Despite the large questions it establishes at the onset, I’m Not Here offers no answers or satisfying catharsis.
Yes, God, Yes is a film you’d want to hug, where its authentic nature, lovable lead, and gentle director can win over anybody.
We Die Young has sporadic moments of action greatness, but feels overlong even with a brisk 90 minute runtime.
Shadowhunters “A Kiss From A Rose” was back with a punch, delivering one delicious detail after another, excitement to return each week freshly renewed.
The Brink is a well-constructed documentary that offers a lucid view of how the Breitbart founder thinks and operates.
Alex Lines reports back from Alliance Française French Film Festival 2019 where he saw Olivier Assayas’ Non-Fiction – an increasingly rare type of drama.
With a premise filled with potential and talent both in front of and behind the screen, Captive State is an unfortunate disappointment.
The Browsing Effect is a movie that may appear shallow at first glance, but gradually reveals more hidden depths when you make the effort to look in further.
After last Sunday’s ending to American Gods, we were ready to get some answers on what happened to Shadow.
Donnybrook ends with a final battle for the ages. It’s just a shame that the road leading there is a miserable slog.
In this latest video dispatch, Shawn discusses the home video releases of Year of the Dragon, Dawson City: Frozen Time & Maurice.
Good Boys is not for everyone, for it is messy and repetitive in what it’s doing, but it is also exceptionally funny, charming, and thoughtful.
Walter’s Way depicts a truth we all must face one day – one that cuts deep in the subconscious fear that most of us keep hidden until we are forced to face it.
Though with a generic plot, Triple Threat is a slick, entertaining feature that works best as a showcase for the talents of its three leads.