Film Reviews
The failure of They All Laughed marked the end of the New Hollywood era, but Bogdanovich’s screwball fantasy urgently needs a reevaluation.
1 Billion Orgasms feels like the behind-the-scenes footage that is supposed to accompany the feature presentation.
Under the Eiffel Tower just doesn’t have the spirit that a rom-com needs, feeling like a first draft that should have never seen the light of day.
Isn’t It Romantic is not a game-changer in the romantic comedy sub-genre, but it’s a proud statement by Wilson that everyone should get behind.
Wrestle relies entirely on familiar story beats and its subject matter, shining in individual moments but not adding up to a satisfying whole.
Holiday will linger with you long after the credits roll, forcing you to acknowledge the ways in which you are complicit with the behavior of its characters.
Our editor-in-chief Manon de Reeper was able to attend the Coven Film Festival in San Francisco, a festival devoted to short films made by women.
A mature, eerie, and effective coming-of-age story, The Changeover is a definite standout when it comes to young adult films.
Like Ocean’s Eight before it, What Men Want is proof that it takes more than genderswapping to make something old new again.
Some may preemptively dismiss Gully Boy as a rip-off of 8 Mile but there’s far more here than just another underdog hip-hop story.
A spiritual forerunner to modern coming-of-age films like Eighth Grade and Lady Bird, Peppermint Soda is a charming glimpse at two teenage girls growing up.
The Umbrella Academy is an exciting and free-spirited edition to Netflix’s catalog of binge-able TV series.
The Amityville Murders is a film that should be avoided at all costs. It doesn’t succeed as a horror film, nor as a supernatural thriller.
By not taking itself too seriously, DC’s Doom Patrol creates a whimsical world of super-heroics that is both fun to watch and easily digestible.
If you looked past the gaping plot holes and equally detestable jump-scares, there is a scare or two to be had in The Prodigy.