Family horror Clara’s Ghost skillfully holds the audience in its grip, and while Clara may be the focal point of the film, it is an excellent family study.
Tasked with saving the day once again, the Doctor and her gang aim to put an end to literal witch hunts in 17th century England, while coming up against an army of possessed “witch” corpses.
Owing mostly to the funny duo of Mark Wahlberg and Rose Byrne, Instant Family somewhat succeeds, though its switch to full-out drama by the end is jarring, to say the least.
The Truth About Killer Robots is an essential part of the ever-evolving debate as to where our civilization currently is, and where it may ultimately be heading.
It is a shame when a movie like Hell Fest this is let down by the very reason for its existence – a slasher movie is only as strong as its slasher and the fear that slasher creates.
The Ballad of Buster Scruggs is some of the Coens’ best work: the storytelling is so delicate and precise, like a beautiful poem squeezed of every superfluous word.
The Grief of Others examines how time can only heal wounds if we let it through intentionality and a sense of vulnerability that can be simultaneously scary and painful.
DriverX is a memorable character study, managing to capture the beauty of a city at night, while exploring generational differences and self-discovery.
As Gryphons and Gargoyles sinks its teeth into its willing players, so too does it to the unwilling town of Riverdale – proving itself a game beyond pieces and dice.