Film Reviews
Jonathan is a rare and affecting fair, as tenuous as life is, especially when there’s a divergence within your own skin.
Hale County This Morning, This Evening is a staggering achievement of filmmaking, and an essential American text.
Green Book is an easygoing film about difficult issues, and that dichotomy will rub many people the wrong way, but will charm others.
With the strong talent behind the film, it isn’t hard to find things not to enjoy about the Stella’s Last Weekend.
Though an honest take on dating today may be In a Relationship’s aim, the lack of tension in how it explores the landscape leaves the relationships limp, flat, and more predictable.
The Wild Pear Tree is a character study so richly detailed, the audience is left feeling like we’ve actually spent time with such an insufferable individual once its all over.
The Crimes of Grindelwald introduces us to a plethora of new characters, attempts to do too much with them, and then, unfortunately, overly relies on the nostalgic factor of the original films.
Whereas kids might dismiss Ralph Breaks the Internet’s flaws for an uplifting swirl of inconsequential sugary adventure, adults might be hard-pressed in their quest to find nutritional value.
Four episodes in, the tone of The Flash in Season 5 is a welcome change from the over-serious one that anchored last season.
Zhang Yimou’s Shadow is a different beast to Hero and House of Flying Daggers – but is every bit as essential.
Becky Kukla recaps her time at the 2018 UK Jewish Film Festival, where a record number of female directed films are finding their time in the spotlight.
Beautiful Boy is a simple story of a dying boy and his father’s desperation, and a complex addressing of the difficulties in achieving sobriety.
In this first edition of She Looks Back, we take a moment to look back at the Hitchc*ck inspired Last Embrace from director John Demme – a film that deserves a second look.
Australian comedy Book Week provides an intriguing look at a man in peril and examines the place of literature in a contemporary context.
Led by a sheepish Daisy Ridley performance, Ophelia, a revisionist take on Hamlet, doesn’t have the feminist credentials it thinks it does.