Film Reviews
The Manga Master takes a potentially interesting subject, and transforms his life into the stuff of biopic cliche.
Sacrifice is not as strong as Brown’s other work, particularly his fascinating previous effort The Push, but it’s still bound to get people talking.
In our latest recap from the Tokyo International Film Festival coverage, Tynan Yanaga reviews Lust in a Karaoke Box and Melancholic.
Clunky and at times, confusing, Here and Now fails to give Sarah Jessica Parker the chance to dive deep into herself and give the emotional performance she was hoping for.
There is a tiredness within American Horror Story: Apocalypse’s “Sojourn”, and its inability to reinvent the Satanic image.
One Cut for the Dead is an inventive zombie comedy that encourages the feel good celebration of the hard work that goes into making any film.
Despite some individually great moments, How To Get Away With Murder’s “We Can Find Him” doesn’t come together as strongly as hoped.
The most frustrating thing about The Nutcracker and the Four Realms is it’s not a terrible movie – just a movie that’s never interesting, magical, or perilous.
Aided by a stellar central performance from Matt Dillon, The House That Jack Built is an unforgettable, uncomfortable nightmare, and one of the few films of the current age that more than lives up to its transgressive billing.
As Supergirl’s fourth season prepares for the reintroduction of Lex Luthor to a new generation, the series is as strong as it’s ever been.
The original A Star is Born remains a triumph, a powerful romance and an engaging look at the Hollywood of the era.
In part 1 of our Tokyo International Film Festival coverage, Tynan Yanaga reviews Chaotic Love Poems and Rent A Friend.
For all its superficiality, there’s a warmth to Coogan and Reilly’s central partnership in Stan & Ollie that – all stiltedness noted – deserves the faint smile it leaves you with.
Created by Mark Dennis and Ben Foster, Time Trap is a sci-fi/fantasy that starts with an interesting concept, yet turns into a jumbled mess of its own doing.
A wry, bittersweet but profoundly affecting cinematic experience, Can You Ever Forgive Me? is an astonishing examination of loneliness and detachment.