For sheer distinctiveness of vision, and for the visceral portrayal of how it feels to be bullied, director Deborah Haywood deserves plaudits for Pin Cushion.
The Legacy of a Whitetail Deer Hunter is undeniably a missed opportunity, a film that nails a certain tone and feel without putting all the pieces together.
Ulam leaves your mouth watering for the vibrant flavors but most of all a longing to experience the lively spirit that exists within the Filipino community.
With an engaging but slightly sluggish story, fine acting, and a committed crew, The Catcher Was a Spy mostly succeeds as both a tense espionage film and a biopic.
We were able to talk with Milda Baginskaite and Martha Binns, director and star respectively, of the short sci-fi drama 7 Planets, about the creative decisions for this film, and the experience of making it.
Han Yan’s Animal World is a truly insane but consistently entertaining mishmash of rock paper scissors, bug-eyed aliens, clown assassins and a check-cashing Michael Douglas.
Despite its empowering story, and fine performances by Michael Greyeyes and Jessica Chastain, Woman Walks Ahead is an unfortunately forgettable endeavor.
In a genre dripping with teenage iconoclasm and headbanging angst, Adventures in Public School makes at the very least for comforting viewing and offers a sweet view of respect, family and independence.
Distorted leaves viewers with a disjointed, unoriginal story, a made-for-tv feel, and underwhelming thrills, with the only saving graces being the presence of Ricci and Cusack.