Film Reviews
Don Hertzfeldt’s 2012 animation is an authentic depiction of depression, mental illness and mankind’s relationship with the universe.
With its dedicated cast, some awe-inspiring cinematography, and a gripping survival story at its center, Alpha is a far better film than one would expect to find.
Castle Rock’s The Queen takes us on a wander through time and memories with Ruth, as Sissy Spacek gives a breathtaking performance.
The Forest of the Lost Souls is an impressive debut that will find its audience in those filmgoers who appreciate cinematic genre fusion.
Along Came the Devil balances haunting imagery and genuine scares with a realistic story about family, tragedy, and overcoming loss
The Festival can’t get out of the shadow of The Inbetweeners, but it’s well worth a watch for all fans of the series.
The Venture Bros. has really become something much more mature and nuanced as it has gone on and episodes like “Arrears in Science” really show the shows range and capacity to still surprise us.
Welcome back. Following the premiere’s cliffhanger, I went into this episode expecting to find out…
Strong acting, wonderful direction, and a mostly alluring script overcome a somewhat commonplace story (in this day and age) with familiar themes in Extinction.
Trial & Error: Lady, Killer continues to provide a smartly written story with comedic moments performed by a wonderfully talented ensemble.
Christopher Robin offers visual wonder, even if its storyline suggests you may have needed to experience adulthood to truly appreciate it.
Film Inquiry’s Alex Lines has left MIFF 2018 – his final report includes some of the best (and two of the worst) films he saw.
Despite its worn-out political commentary, The King is a quietly revolutionary music documentary.
Vincent Amouroux and Alex Barry’s Living Universe is an encouraging sign that science is progressing in ways which continue to benefit humanity as a whole.
A Second Chance manages to pose a shocking moral quandary without falling into an academic exercise by grounding its characters in real feelings.