Film Reviews
The 2023 Heartland International Film Festival has come to a close, but I’ve got one last report on some of the big titles that ended the festival.
It’s been a long time since short films have received the amount of hype around…
Tokyo Cowboy is a bit shaggy in places, but we stick around for the character moments because they feel mostly benevolent and genuine.
Joan Baez is not without her flaws and shortcomings, but the noise she made with the song of her life continues to reverberate through time and space.
“Train to Busan” director Sang-ho Yeon delivers action, spectacle, and robots in “Jung_E,” now streaming on Netflix.
Believer wields the Exorcist saga poorly by vomiting so much at the screen and leaving little more than a mess of themes and characters.
In Ferrara’s world of fatalistic nihilism in The Funeral, there’s no escape from life torments, and only death and self-destruction hold the key.
Director David Fincher returns with The Killer, a stylish thriller about an assassin played by Michael Fassbender.
In the latest report from LFF 2023, Paddy Wilson features vampires at Paul Mescal’s door and devils in David Dasmalchian’s studio – a divine combination if ever there was one.
A cheesy holiday horror that doesn’t try to be anything more than it knows it is, There’s Something in the Barn is wildly entertaining.
The Bikeriders film evokes an interesting time and place in US history, in which Nichols’ ensemble cast take big swings – and get big enough hits.
In the latest report from HIFF 2023, Alex Wheeler reviews Foe, Radical, A Disturbance in the Force, New Life, and Shudderbugs!
If Pixar’s latest offering suggested that Fire and Water can mix, the same can’t be…
The Heartland International Film Festival returns for its 32nd year, bringing a mix of headlining…
With Priscilla, Sofia Coppola proves that she is the premier chronicler of what it feels like for a girl.