Despite tackling intriguing and timely concepts, Stranger Eyes ends up being a surprisingly dull watch.
The British will literally eat beans on toast for breakfast and then go to work…
In The Stand and Little Bird, our leads hustle and fight to get by in a country that seems to stack the odds ever-increasingly against them.
Superman is possibly the most left-leaning blockbuster Hollywood has produced in the last 20 years.…
Weapons is many things: an entertaining genre film that is both funny and horrifying, an acting showcase for its talented cast.
No Sleep Till is a moody tone poem to that singularly paradoxical sense of anticipation and malaise that sends house cats into hiding.
Taxi Zum Klo is a unique and proud feature that dares its audience to consider homosexuality and sexuality in general as natural to being human.
Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.
Drowning Dry is a movie that is waiting to burst with its emotional weight but finds itself wafting.
A wonderful addition to the MCU and the superhero canon, The Fantastic Four: First Steps is a breath of fresh air in the genre.
Together’s greatest strengths lie in its wry reflections on the pleasures and perils of long-term romance.
Souleymane’s Story is an urgent, energetic drama that follows a Guinean immigrant through the streets of Paris.
Gilliam’s preferred ending to Brazil is bleak and bitter, yet because of that, it feels all the more realistic.
In a world that constantly asks women (especially women under authoritarian regimes) to stay silent, Tatami dares to scream. And, it speaks volumes.
A poetic depiction of how the passage of time has affected a place so close to Frammartino’s heart, Il Dono is a film to lose yourself in.