Lynch/Oz is a very film 101 documentary, one which aims to open doors for the performer, lover, and cinema enigma that is Lynch.
Fresh Kills is a uniquely compelling piece of work in the pantheon of gangster movies, grounded by powerful performances and a stellar directorial debut.
While Minted presents intrigue in both the product and the artists behind them, it struggles to become a cohesive unity of art and information.
Human Flowers of Flesh is just as enticing for anyone who has or hasn’t seen Beau Travail.
A cathartically devastating film, Our Son reaches deep into the wells of emotion.
Despite a rocky second act, Peppergrass still manages to be a successful thriller.
Time of Roses has a keen eye for design and tells a prescient tale of the lie that hides within “The End of History”.
Revoir Paris is not an easy film to watch, but the emotional journey is a gratifying one.
The Space Race captures the journey of space flight though the unrelenting spirit and resilience of the black community.
In our latest review from the Tribeca Film Festival, One Night with Adela may be a bumpy ride, but it’s a wild one.
The Line is a well-oiled stress machine with its depiction of this pervasive, casually cruel facet of college life.
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Fantastical yet relatable, Bucky Fucking Dent is a moving debut by David Duchovny.
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.