Film Reviews
The new animated Diary of a Wimpy Kid tells a familiar story and executes it on an arguably bare minimum.
Ridley Scott’s House of Gucci is a biographical crime-drama about the woman who put a hit out on her ex-husband, Maurizio Gucci.
In the vein of Citizen Kane, the documentary sets out on the foolhardy task of finding Dean Martin’s Rosebud: the puzzle piece to unlock what made him tick.
After watching, I feel vindicated in thinking the early 200s and the sweet spot of my childhood was one of the peaks of the Christian music industry.
Patrick Ridremont’s The Advent Calendar is a holiday horror film about a woman given the opportunity to walk again, but at what price?
The Feast is a well-crafted film, boasting exquisite shots that deserve their place in horror recognition, but the story itself drags it down.
With Bad Luck Banging or Loony Porn, director Radu Jude seeks to expose the hypocrisy inherent in those who find sex obscene.
I’ve always wondered why Black Friday had not been explored in a horror film. Director…
Between its seemingly inconsistent mythology and a confusing timeline, Double Walker forces the audience to work harder to appreciate its strengths.
While it doesn’t dig as deep as one may hope, Becoming Cousteau is an honest yet engrossing portrait of one of the most iconic explorers.
New York Ninja feels destined to become a cult classic, the kind of film playing in the background at raucous house parties and neighborhood dive bars.
Spencer is fictitious, yet grounded in reality, a prolific examination of mental health through isolation and suffocation of tradition and restraint.
Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.
Christmas on the Carousel is an entertaining Christmas romantic drama with strong performances.
All is Forgiven chronicles the breakdown of a family and a daughter’s attempt to understand the real reasons why many years later.
