GODZILLA MINUS ONE: A New Kind Of Kaiju Klassic
GODZILLA MINUS ONE: A New Kind Of Kaiju Klassic

“Godzilla Minus One” is a blockbuster that dials up the heart when others may have invested more time (and money) in shoddy visual effects.

THE CRIME IS MINE: Friendship, Feminism And The French
THE CRIME IS MINE: Friendship, Feminism And The French

While The Crime is Mine doesn’t reach the lofty heights of the classic comedies that influenced it, it’s all too easy to enjoy such a screwball vision.

THE BOY AND THE HERON: Hayo Miyazaki's Masterful Swan Song, Explores Enchanting Fantasies, Harsh Realities, And The Resilience Of The Human Spirit
THE BOY AND THE HERON: Hayo Miyazaki’s Masterful Swan Song, Explores Enchanting Fantasies, Harsh Realities, And The Resilience Of The Human Spirit

The film is both historical and deeply personal in a way that will resonate with those who have been through similar experiences.

WISH: A Disney Mash That Cooks Up Bland Hash
WISH: A Disney Mash That Cooks Up Bland Hash

Wish is a Disney film with many Disney stuff but rarely features any of that Disney magic, reminding the audience of far better films.

LOVE ACTUALLY: 20 Years Later, Love Is Still All Around
LOVE ACTUALLY: 20 Years Later, Love Is Still All Around

Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.

DUMB MONEY: A Wild Wall Street Tale
DUMB MONEY: Stocks, Laughs and Unconventional Heroes

Benefitting from a strong cast (and an even wiser script) Dumb Money adds a touch of wit and wildness to the tired biographical drama format we’ve seen.

SCROOGED: 35th Anniversary Edition: Curmudgeon In 4k
SCROOGED: 35th Anniversary Edition: Curmudgeon In 4k

Scrooged skillfully blends a cocktail of valuable lessons and infectious laughter, ensuring its place as a memorable addition to the holiday film canon.

A CREATURE WAS STIRRING: Do Not Disturb
A CREATURE WAS STIRRING: Do Not Disturb

A Creature Was Stirring feels as though it has something deeper to say, but never seems to find the cohesion and narrative direction to say it.

Hanky Panky: A Haywire, Humorous Whodunit
Hanky Panky: A Haywire, Humorous Whodunit

“Hanky Panky” is silly, it’s wild, and it’s filthy in all the right ways, made by a team with a clear love of film.

CONCRETE UTOPIA: Our Own Worst Enemy
CONCRETE UTOPIA: Our Own Worst Enemy

Concrete Utopia stakes its claim as the heir apparent to Parasite and Squid Game and should have similar crossover appeal for international audiences.

Toronto International Film Festival 2023: POOLMAN Is Good, Actually
Toronto International Film Festival 2023: POOLMAN Is Good, Actually

Poolman might not be for everyone, but for those of us who want to see a Chinatown-loving himbo finding himself in his own mystery, this is a worthy comedy.

BRIDGET JONE'S DIARY: A Love Letter to Romance in Adulthood
BRIDGET JONES’S DIARY: A Love Letter to Romance in Adulthood

Bridget Jones’s Diary is a classic, yet refreshing, take on the rom-com, showing the imperfectly wonderful side of romance in your thirties.

Interview with Actor/Writer/Director Alden Ehrenreich For His Film SHADOW BROTHER SUNDAY
SHADOW BROTHER SUNDAY: Proof That Alden Ehrenreich Is A Triple Threat

Shadow Brother Sunday accomplishes numerous feats, boasting pitch perfect performances, and Ehrenreich displays remarkable promise.

EROS + MASSACRE: Explorinag Kijū Yoshida’s Anarchic Magnum Opus
EROS + MASSACRE: Exploring Kijū Yoshida’s Anarchic Magnum Opus

A prime example of what political cinema should be, Eros + Massacre is an intriguing and challenging work from one of Japanese’s singular talents.

POOR THINGS: A Frisky, Freaky, and Funny Odyssey
POOR THINGS: A Frisky, Freaky, and Funny Odyssey

Poor Things is a brilliantly weird odyssey of beauty and bile that goes down like a wonderfully bitter-and-sweet cocktail.