Film Reviews
In using the medium of melodrama for Parallel Mothers to convey such a message, Almodóvar has given us one of his best films in years.
The warped claustrophobia of Masking Threshold is wholly original, making it one of the best horror films of the year.
Our coverage of the 2021 New York Film Festival concludes with looks at Jane By Charlotte, Haruhara-San’s Recorder, and Hester Street.
Dune is a fine adaptation that works on the basic levels of storytelling and entertainment that Hollywood builds its backbone on.
Labyrinth of Cinema tells an empathetic and energetic story about the power of cinema to change the world — one that we would all do well to take in.
CJ Hunt’s The Neutral Ground explores the political opposition and the debate surrounding Confederate statues across the US.
In the final report from London Film Festival, Paddy Wilson and Faisal Al-Jadir review King Richard, Lamb, Little Palestine and Mothering Sunday.
For a first-time director, Kempff had a very stylistically sharp vision for Knocking which is bogged down by an overly meandering tone.
In a final report from HIFF 2021, Emily Wheeler reviews The Power of the Dog, King Richard, Poser and Alien on Stage!
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
Emily Wheeler’s coverage of the 2021 Heartland Film Festival continues with looks at The Humans, Cow, What Josiah Saw, and No Straight Lines.
From the incredible acting to the expertly done cinematography to the at times astonishing set pieces, Boiling Point is the full meal.
Never afraid of a little blood, The Retaliators dives head first into the gore, making its violence cringeworthy in all the best ways.
Film Inquiry is back with 6 more film reviews from days 6-8 of the 2021 London International Film Festival.
The Last Duel is a comfortable return to the medieval genre with tense battle sequences and an urgent takedown of a misogynistic system.