Film Reviews
Merry Christmas, Mr. Lawrence is a beautiful film, and despite its grim subject matter, there is an underlying sense of warmth to it.
The Matrix Resurrections is a curious and fascinating sequel, one which is completely aware of its own existence but also confused about why it exists.
Nightmare Alley is a tense thriller that will be sure to please audiences if they can get past the film’s length, but it still had potential to be more.
It might primarily tell a man’s story, but it’s the women—both in front of and behind the camera—that make Ever Since We Love worth watching.
Even more so than its celebratory aspects, Harold and Maude holds a special place in my heart because of what it meant to me when I first watched it.
Bursting with much of the iconic lore and characters as well as being the most meaningful of Peter Parker stories, Spider-Man: No Way Home delivers.
While the movie itself is not without its bumps , there is always a new adventure, a new gag, a new moment of blissful sweetness just around the corner.
New Year is an exemplary artistic showcase of the power of dialogue and performance, wrapped in a tightly constructed celluloid of truth.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
Adam McKay has crafted a harsh examination of our treatment and lack of action of the environment we live in, one that is sure to push the conversation.
With its more intimate scope, flawed or not, the documentary attempts to understand Brian Wilson.
The Hating Game may not be the perfect rom-com, but it entertains like classics of the past, delivering on what it promises and perfect for rewatches.
An elegy not just for the human race but for the great artist that brought it to the screen, Last and First Men is a striking meditation on mortality.
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
The Power of the Dog is a haunting, powerful character study by Jane Campion, amongst the best films of the year.