In their latest report from BFI London Film Festival, Paddy Wilson and Faisal Al-Jadir review A Hero, Hinterland, True Things, Two Friends and more!
Despite the occasional meandering of the script, much of the film feels like an honest search for peace and a sense of balance in life.
In our first report from London FF 2021, Paddy Wilson and Faisal Al-Jadir review the films they saw including Memory Box, The Souvenir: Part II & more!
In the first report from the 2021 Heartland International Film Festival, Emily Wheeler covers four films: Spencer, Ninjababy, Faceless & Being Bebe.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
With a breezy 85-minute runtime, there is always enjoyment to be found with such an impressive cast.
No Time To Die is an absolute triumph, not just as a thrilling conclusion to Daniel Craig’s era of Bond, but as one of the best in the series.
The Harder They Fall is a confident and engaging debut, staying just on the right side of story versus style with the entertaining tale of revenge.
Edited from decades of footage that were self-shot by Kilmer himself, Val is an extraordinary piece of filmmaking.
Bright and peppy, The Wachowski’s Speed Racer is a bonafide live-action cartoon and well worth a second look.
With strong performances, The Power of the Dog delivers on its promise, offering a solid narrative tale of strength, masculinity and grief.
The Velvet Underground wields the hands of time, recapturing and evolving into a time capsule of art within a new wave style of documentary.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
In Front of Your Face and Introduction serve as a satisfying reminder that one of world cinema’s most consistent filmmakers is still thriving.
The Many Saints of Newark, a prequel film to The Sopranos, never quite reaches the heights of its television show predecessor.