Film Reviews
Even though I can feel everything is well-intentioned, little to none of it resonated. Thy movie is amiss.
Slaxx offers plenty of fun and amusing gory moments with a heartfelt story showcasing the evils of the fashion industry.
A sturdy but familiar entry, Nobody hews so close to standards that it brings the whole genre into question.
In his first report from SXSW Film Festival, Soham reviews I’m Fine (Thanks For Asking), Language Lessons and Islands!
In his first report from the 2021 SXSW Film Festival, Musanna reviews Kid Candidate, WeWork and The Lost Sons!
In its styles, structures, and personal relationships, Listen to the Universe does the rare feat of turning a competition against itself.
Based on the 1892 Charlotte Perkins Gilman short story by the same name, The Yellow Wallpaper is a thriller that stumbles with uneven performances.
While Keep an Eye Out feels more like an extended comedy sketch than a feature film, it is definitely entertaining.
While underdeveloped and sluggish in approach, Phil Sheerin’s The Winter Lake is a sedate, rustic thriller examining familial complexities.
Charm City Kings is an expressionistic, powerful look at a neglected community that gets little attention on-screen.
Legend of the Berlindale Film Festival, Satyajit Ray’s award-winning 1966 Indian drama The Hero (Nayak) showcases the filmmaker’s talents.
Wildfire is a commanding calling card for Brady, showcasing kitchen-sink realism and a powerful portrayal of sibling heartbreak.
It embodies the theory of a movie’s intricate parts, and bit players function initially as individualistic entities that coalesce into a collective.
Cherry wants to be a movie about tragedy and weighty thematic issues but is too concerned with showing off for points on a scoreboard.
Xavier Beauvois’ Albatros starts off as a low-key police procedural drama before transforming into a generic meditation on guilt and grief.