Film Reviews
Irresistibly charming, I’m Your Man needs no beeps and boops and tiring gimmicks to convey the abyss between man vs machine.
A contender for feel-good film of the year, De Capo follows a musician returning home, where he’s torn between his music and the kids he inspires.
Shorta is a timely and thrilling actioner with its plot of police brutality and ultimately its message an important one to hear.
Full of unfunny human characters and a plot that doesn’t even involve its iconic animal characters, Tom & Jerry is a gross miscalculation.
My Wonderful Wanda is a fun film with moments of genuine humour and insight making make it worth the watch.
Underneath all the comedy and action are moments of real heart and pathos, Riders of Justice manages to balance its brand of pitch-black humour and gore.
It was a minor miracle, and in great part attributable to Van Peebles, that Watermelon Man turned into such a masterpiece.
Creation Stories will appeal most to those with an interest in 90s pop culture as it is unabashedly content to revel in those memories.
What we’re given is far more surface-level than it should be, and unfortunately doesn’t add as much to the conversation as it perhaps thinks it does.
I Care A Lot suffers from a tonal shift, is still prevalent enough that the film is entertaining and enlightening all the way through.
The Vigil finds success in its intricate and delicate layering of its narrative, giving time for viewers to digest each tidbit given.
Here are highlights from the inaugural ACA Cinema Project online film series, 21st Century Japan: Films from 2001-2020.
The Columnist is an effective thriller about one woman’s revenge against her online abusers, but it lacks deeper meaning.
Like its title suggests, it is a peculiar tale that lives on its frustrating evocation of the ambiguity of love.
While Alice Fades Away maintains your attention, there is a certain spark missing throughout its core, leaving it enjoyable but far from memorable.