2010s
Labyrinth of Cinema tells an empathetic and energetic story about the power of cinema to change the world — one that we would all do well to take in.
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.
In the final entry of the No Time To Die Countdown, Jake Tropila takes a look back at Spectre, the fourth Bond film starring Daniel Craig.
In this Queerly Ever After we visit the 2013, Pit Stop: a simple, slice-of-life story about two men coming together amidst the backdrop of their small town.
Queerly Ever After #60 focuses on Baldvin Zophoníasson’s Icelandic film Jitters, a teen drama filled with first crushes and tragic events.
American Sausage Standoff is a with a memorable visual style and strong performances, but the humor never takes centerstage.
A lo-fi narrative film that often feels like a documentary with its rambling dialogue and roving camera, Anne at 13,000 Ft soars.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
Criterion welcomes classics new and old to its collection this month with the addition of Beasts of No Nation, Afterlife and more!
Tatort: Streets of Berlin is a crime show with collaborative efforts across regional television studios in Germany, Switzerland, and Austria.
Barley even a movie, Longhorns is just terrible, lacking any redemption – and there really isn’t that much else to say.
Equal parts fantastic and frustrating, Ema soars sky-high but cannot maintain those heights over the course of the film.
The latest film from writer-director Anne Fontaine is a new take on an old legend: that of Snow White and the Seven Dwarfs.
While it might feel out of touch with reality, it’s in the more personal aspects of his story that it manages to keep itself from falling off the deep end.