2010s
As far as reunions go, RuPaul’s Drag Race’s season 13 Reunited episode missed the memo on contestant drama, but the lip syncs are so stellar.
With About Endlessness, Roy Andersson once again weaves together short vignettes that uncover the intricacy and vulnerability of the human condition.
Better Days often feels like an extremely bleak after-school special. But thanks to remarkable performances, it’s worth sticking with to the bitter end.
This is Not a Burial, It’s a Resurrection is just more proof that the most exciting and impactful films being released today are coming out of Africa.
For a low-budget production, Agoraphobia is a high-quality film with a solid storyline and good cast.
Attempting to fit a lifetime of legendary adventure into a two-hour film, Amundsen: The Greatest Expedition doesn’t manage to tell us that much at all.
A fun, sexy, romantic comedy, Just Friends is a Dutch TV movie about two young men falling in love.
In its styles, structures, and personal relationships, Listen to the Universe does the rare feat of turning a competition against itself.
While Keep an Eye Out feels more like an extended comedy sketch than a feature film, it is definitely entertaining.
Wearing its influences on its sleeve and a love letter to horrors of the past, Awoken is a sharp little horror movie with bite and shocks.
Travis Knight’s Bumblebee is a surprisingly well-done action film that brings heart and friendship to the Transformer franchise.
The Vigil finds success in its intricate and delicate layering of its narrative, giving time for viewers to digest each tidbit given.
Page To Screen contrasts Love, Simon and its original source, showcasing what’s lost when a coming-out story is re-molded for the screen.
Here are highlights from the inaugural ACA Cinema Project online film series, 21st Century Japan: Films from 2001-2020.
The Columnist is an effective thriller about one woman’s revenge against her online abusers, but it lacks deeper meaning.
