2018
McQueen joins the pantheon of documentaries that not only retell a life story, but delve under the skin of the subject to present new layers.
Aside from an occasional spark from Travolta, Gotti is a wholly derivative affair, and under Connolly’s guiding hand, a crudely executed and completely incoherent one at that.
With more than enough to keep the story moving, Three Identical Strangers is a compelling documentary that keeps the tale moving quickly through twists and turns.
We got a chance to speak to director Finlay Pretsell of cycling documentary Time Trial after it played at Sheffield Doc/Fest.
It’s hard not to think of Jurassic World: Fallen Kingdom as just a rinse-repeat of nearly every other film in this now 25-year-old franchise.
Can we work together to find a solution? It’s a reality that needs further acknowledgement, and It Will Be Chaos does an admirable job of giving us perspective and bare-boned stories of resilience and courage.
Musanna Ahmed attended this year’s Sheffield Doc/Fest and shares his interview with Inka Achté, director of documentary Boys Who Like Girls.
During its best moments, Set It Up slaps a goofy smile on your face while delivering simple comedic pleasures and worth the watch for Deutch and Powell alone.
Leave No Trace is Debra Granik’s first fiction feature in eight years, and proves that she is one of the social realist filmmakers most urgently needed in cinema right now.
Musanna Ahmed reviews Too Beautiful: Our Right to Fight and spoke with director Maceo Frost and star Namibia Flores Rodriguez.
While fairytale romances feature in tons of Bollywood films, Lust Stories gives insight into the modern Indian woman and the role she plays.
Ali’s Wedding is an unabashed presentation of a Muslim love story that feels both brave and necessary.
Hover is an expertly crafted horror film focusing on a future almost too close to home. Cleopatra Coleman stands out for her remarkable performance and wonderfully crafted and memorable script.
Elena Miliaresis’ documentary While Time Stands Still tells the story of the hardships of military families – Laurie Agard considers the psychological aspects.
Hearts Beat Loud rings emotionally true, and is heartwarming in its portrayal of youth, old age and perfect pop music.