2020s
The most interesting and important movies in the world today are being made by trans…
Riefenstahl should be the last word on its subject—not just because it is the definitive one, but also because it is the last one we need.
Despite tackling intriguing and timely concepts, Stranger Eyes ends up being a surprisingly dull watch.
The British will literally eat beans on toast for breakfast and then go to work…
In The Stand and Little Bird, our leads hustle and fight to get by in a country that seems to stack the odds ever-increasingly against them.
Superman is possibly the most left-leaning blockbuster Hollywood has produced in the last 20 years.…
Weapons is many things: an entertaining genre film that is both funny and horrifying, an acting showcase for its talented cast.
Freakier Friday is a missed opportunity. In this moment of Y2K nostalgia and resurgent conservative political backlash to feminism, we need punk rock.
No Sleep Till is a moody tone poem to that singularly paradoxical sense of anticipation and malaise that sends house cats into hiding.
Tsangari seems satisfied to keep Harvest as a teaser, a tragedy of a place with no name and leaving it nameless and without doctrine.
Drowning Dry is a movie that is waiting to burst with its emotional weight but finds itself wafting.
A wonderful addition to the MCU and the superhero canon, The Fantastic Four: First Steps is a breath of fresh air in the genre.
Together’s greatest strengths lie in its wry reflections on the pleasures and perils of long-term romance.
Souleymane’s Story is an urgent, energetic drama that follows a Guinean immigrant through the streets of Paris.
In a world that constantly asks women (especially women under authoritarian regimes) to stay silent, Tatami dares to scream. And, it speaks volumes.