2020s
Inventive, edgy, and ultimately unforgettable, Grind & Drag are coming through with the big SXSW vibes.
Palestine ’36 is an important film despite its imperfections—mainly, its valiant attempts to do and say a little too much for one movie.
Judit Polgár is one of the greatest chess players of all time. In 1991, she…
Ajike Owens should still be alive. The mother of four was shot by her neighbor…
Undertone is mostly a vibe-piece–– a thin 2000s horror narrative wrapped up in a 2020s look and feel.
All You Need Is Kill, the light novel by Hiroshi Sakurazaka and Yoshitoshi Abe, saw…
The Dummy Detective is both a love letter and a send-up of noir and murder mysteries, with the end result as up in the air as the puppet our hero holds.
Music can heal, but Matter of Time shows how it can also change lives by turning performance into purpose.
Some of this year’s coverage from Sundance Film Festival 2026, the last in Park City.
SUNDANCE 2026: Julie Christeas on Run Amok, Sustainable Filmmaking, and Why Indie Film Still Matters
Film Inquiry spoke with Tandem Pictures founder Julie Christeas.
Dave Bautista is a fascinating actor. As a professional wrestler-turned-film actor, he could have been…
Seven Dials’ predictable structure, thin character development, and hollow ending keep it from striking the satisfying note of its strongest predecessors.
Pillion is a deeply charming, earnest film about the ways young people throw their hearts and bodies into things without knowing any better.
With Vindicta, Sedlar commits fully to Hannah’s descent, resulting in a visceral character study of loss, rage, and the devastating cost of survival.
There’s no such thing as a “bad year for film.” But some years, it’s easier…