2020s
Some of this year’s coverage from Sundance Film Festival 2026, the last in Park City.
Dave Bautista is a fascinating actor. As a professional wrestler-turned-film actor, he could have been…
Seven Dials’ predictable structure, thin character development, and hollow ending keep it from striking the satisfying note of its strongest predecessors.
Pillion is a deeply charming, earnest film about the ways young people throw their hearts and bodies into things without knowing any better.
With Vindicta, Sedlar commits fully to Hannah’s descent, resulting in a visceral character study of loss, rage, and the devastating cost of survival.
There’s no such thing as a “bad year for film.” But some years, it’s easier…
Like Strawberry Mansion before it, OBEX is a cinematic adventure with substantial charm in spite—or perhaps because—of its imperfections.
Chaperone is a truly unique film with stellar talent behind and in front of the screen.
Donald Trump recently oversaw a coup in Venezuela, kidnapping President Nicolás Maduro and his wife…
Cover-Up is about much more than just one man’s lifelong search for the truth; it’s a film about the importance of constantly interrogating those in power.
With a commanding performance from Josh O’Connor and a nuanced take on religion, “Wake Up Dead Man” is the best “Knives Out” mystery yet.
Just as in Zootopia, the world-building and neat details are incredible
Stir the porridge clockwise, or else you’ll let the devil in. At least, that’s what…
Little Trouble Girls takes a lovely, lyrical approach to time-worn tropes, the result of which is a film that entrances the audience despite its flaws.
Lynne Ramsay’s Die My Love starts and ends with the image of Jennifer Lawrence walking…