2020s
While Twisters is pretty much exactly what you’d expect, it will warmly invite you into its merry world of meteorologists and storm chasers.
Despite its issues, I find the movie an uncomfortably entrancing tale of desire, one that I will continue to return to for years to come.
Witches may not be the most talked about film at this year’s festival, but it is certainly the most vital.
Forty-five years after Alien, cat people finally have a new horror movie with Michael Sarnoski’s “A Quiet Place: Day One.”
Part boxing movie, part familial drama, Bang Bang is further proof of Vincent Grashaw’s directorial expertise and a showcase for Tim Blake Nelson’s talent.
Overall, Longlegs is well-directed, artistically apt, and really, really suspenseful.
Sisi & I is a worthwhile look at her life through the eyes of another, even as it suffers from comparisons to similar work.
Devery Jacobs and Evan Rachel Wood star in the queer cheer drama “Backspot,” executive-produced by Elliot Page.
The Convert is a movie quaking with trauma and suffering.
The Bikeriders is a memorable addition to Jeff Nichols’ ouvre.
Made in England: The Films of Powell and Pressburger is a fitting tribute to the preeminent magicians of the movies.
The prevailing refrain of Thelma is how it supersedes expectations in all manner of ways.
How I Roll is not just for those familiar with the difficulties of MS, but those who wish to see how the human heart can endure and continue to thrive.
Michael Friberg’s newest short, You Are Here, blends comedy and existentialism as one man grapples with the sheer scope of existence.
Princeton’s in the Mix skewers a mother’s obsession with her son’s performance on the SATS, taking the potential consequences to an extreme.