2020s
If you like horror or mystery or just like to be kept guessing, then this is a movie that you’re going to need to see.
At this year’s Melbourne International Film Festival, Sean Fallon reviews Hello Dankness, Biosphere and Art Talent Show!
While Haunting of the Queen Mary may struggle to find its sea legs, it culminates into an epic voyage of terror and twists.
Before, Now & Then is a film that dares to ask this question and forces us to wrestle with the painful truth at the core of the answer.
With an emotional family-focused core and some unique visual flourishes, Blue Beetle is surpisingly memorable.
King Coal is a rare work of art that manages to look forward precisely by looking backward.
Strays is a mess of limited ideas, mined from the inebriated story idea, “What if a typical dog movie had more profanity and poop?”.
Unspooled like a true crime tale, Satan Wants You writes an origin story for this salacious, sensationalist phenomenon.
I Like Movies manages to strum all the right cords in a truly unique celebration of cinema itself.
The Last Voyage of the Demeter turns in a light Dracula voyage too bound by its stock itinerary to sail into more adventurous waters.
Madeleine Collins proves that Virginie Efira belongs to that elite tier of actresses capable of elevating even the most mediocre material.
King On Screen is one hell of a trip down Stephen King cinema memory lane.
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
Sweet if innocuous entertainment, Love in Taipei is pleasant but predictable.