2020s
If you liked Jaws 2 (or Sharknado 2, Deep Blue Sea 2, Open Water 2, Ouija Shark 2, etc. etc), this bad Shark Sequel has everything you need.
The Mire was a fantastic, tense ride that doesn’t rely on action set-pieces or flashy effects to draw your attention.
Mutant Mayhem gives the Ninja Turtles a fresh coat of paint as a welcoming revision with unique animation and compelling characters.
Past Lives is the epitome of contemplative, meditative cinema. It’s perplexing, but in the way I like my movies to be.
Lofty in ambition yet flawed in realization, LOLA is nonetheless an intriguing cautionary tale experiment in lo-fi science-fiction.
A quiet, poignant, and moving documentary, The Deepest Breath is unforgettable.
The Venture Bros. has always felt cinematic with its big sequences and Radiant Is the Blood of the Baboon’s Heart ups the ante.
Perfectly Good Moment is a difficult-to-watch and captivating thriller.
For better or for worse, Haunted Mansion makes for a fun spooky night on Disney+ for the family.
The 3-part series highlights her ambitious career in front of the camera and behind.
A snapshot of small-town ennui with a hefty splash of neon-tinted noir, Streetwise has an intoxicating atmosphere.
Barbie is the ultimate summer movie for having as much wit and wisdom as it does charm, silliness, and an abundance of pink.
In this report from NYAFF, Lee Jutton takes a look at Mountain Onion, Nomad and Mountain Woman!
In her latest report from The New York Asian Film Festival, Lee Jutton reviews Bear Man, Kitty the Killer and I Love You, Beksman!
Bad Girl Boogey may not be a great film but it has the ambition and heart to pursue a whole new lore.