2020s
From Fantastic Mr. Fox to The French Dispatch, something strange and different happens every time and Asteroid City is no different.
Lynch/Oz is a very film 101 documentary, one which aims to open doors for the performer, lover, and cinema enigma that is Lynch.
Fresh Kills is a uniquely compelling piece of work in the pantheon of gangster movies, grounded by powerful performances and a stellar directorial debut.
While Minted presents intrigue in both the product and the artists behind them, it struggles to become a cohesive unity of art and information.
Human Flowers of Flesh is just as enticing for anyone who has or hasn’t seen Beau Travail.
A cathartically devastating film, Our Son reaches deep into the wells of emotion.
Despite a rocky second act, Peppergrass still manages to be a successful thriller.
Revoir Paris is not an easy film to watch, but the emotional journey is a gratifying one.
In our latest review from the Tribeca Film Festival, One Night with Adela may be a bumpy ride, but it’s a wild one.
The Line is a well-oiled stress machine with its depiction of this pervasive, casually cruel facet of college life.
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
From Tribeca Film Festival Payton McCarty-Simas pairs two films, one an ode to midnight movies past, with another paean to movie obsessives.
There’s lots of potential in Taylor Mac’s 24-Decade History of Popular Music, but only Taylor Mac fully lives up to it.