2020s
Despite well choreographed action and a gritty performance from Jennifer Lopez, The Mother is not the Mother’s Day vehicle Netflix had hoped it would be.
Marco Porsia excavates something special with the subject of his latest rock inspired documentary, What You Could Not Visualize.
Beyond the North Woods offers hope for local, micro budget filmmaking to reinvigorate even the most familiar of premises, turning content back into art.
Giving Birth to a Butterfly is a story about the ties that bind us, to each other as well as to reality itself.
If you aren’t already disenchanted with capitalism and the way it sucks people dry, then Unrest is here to help.
Goodnight Mommy is a decent horror vehicle, designed to entertain but lacking the stamina and direction to terrify.
The Plains, in its supposed mundanity and ritual, gives us the gift of time to really take in the cinematic image.
Ray Romano’s directorial debut Somewhere in Queens is a heartfelt story about family and going too far to protect those we love.
If “Still: A Michael J. Fox Movie” shows us anything, it’s the extinguishable spirit that has kept Michael J. Fox going for decades.
Through each other’s sympathetic eyes, in this winning, queer coming-of-age tale that still feels in a category all its own, two lonely women become queens.
BlackBerry is not a film that takes a radical departure from the form, but its mixture of comedy and workplace drama makes it delectable viewing.
Weird, romantic, and undeniably powerful in spite of its imperfections, The Five Devils is a film that deserves your attention.
It Ain’t Over gifts us with a deeper admiration for what Yogi Berra did with his life in all its many facets.
Strange Way of Life could fulfill all the clichés of the genre, with gunslingers, ranches, and a sheriff, but with a completely different angle.