2020s
A Radiant Girl is a film where horrors hover on the edge of every frame, out of sight but never truly out of mind.
Despite an uneven tone, Quantumania mostly works as an enticing superhero adventure.
Kompromat is a tense and gloomy character-driven thriller, loosely based on real events, and is an energetic ride that never lets up.
The Last of Us just aired its fifth episode and if you aren’t already watching it, all I have to say is, what are you waiting for?
Little Dixie has little moments of thrill amid a sufficient yet standard crime story that Frank Grillo glides through with guns and chainsaws.
While Your Place or Mine finally brings these two stars together, it fails to truly reach the mark of success.
“All Quiet on the Western Front” and “Narvik,” a German WWI film and Norwegian WWII film, premiered on Netflix in 2022.
Stolen Youth is a vital docuseries in both the world of criminal segments and in the world of psychology.
Manticore uses a delicate manner and touches on topics that make us feel uncomfortable, posing extreme situations.
Malignant embraces the true cult sensibility that M3gan only gestures to, serving up a wildly entertaining and singular cinematic experience.
Despite running a mere 72 minutes, Jethica’s story comes full circle in a way that feels incredibly satisfying — so really, what do you have to lose?
Despite some hiccups, fans of Dolly Parton or Australian comedy will have a good time with Seriously Red.
Shyamalan’s Knock At The Cabin finds new ways to explore old ideas, deviating slightly from his usual formula while still making you frightfully uneasy.
The Outwaters is a movie you won’t soon forget, becoming a definitive part of the rolling word of mouth marketing.
In the latest report from the 2023 Sundance Film Festival, Kevin L. Lee reviews The Pod Generation and Landscape With Invisible Hand!