2020s
Torn Hearts’ excellent female-led cast lead a fun, campy, psychological nightmare showing that the music industry can be killer.
Since I Been Down proves that sometimes real change can come from within and the resources we are given to work with.
Mondocane would be a much more entertaining film if one wasn’t struck by the strange feeling we’ve seen most of this before.
Montana Story is a film that tries to do a bit too much, but a pair of great performances and a core story makes it worth looking past its faults.
Unfortunately, Men starts as a very strong and legitimately scary exploration of heady issues but unravels in the final third act.
One thing that is true about Everything Everwhere All At Once: you’ve certainly never seen something like this before.
Vogt’s decision to not pull any punches is a large part of what makes The Innocents such an effective horror film.
Where many have found immense success within the genre, Emerson Moore’s “Escape the Field” will be a film that falls quickly from memory.
Doctor Strange in the Multiverse of Madness is one of the messiest, most chaotic Marvel movies to date.
In the finale, ”Blank Spaces” wraps nicely giving brief ends for each of its characters.
What were some of the best film scores from last year? Here we take you through the frontrunners!
Black Box as a whole will keep viewers engrossed and unsure, its unpredictability and weaving mystery an entertaining venture.
The Girl from Plainville’s “Teenage Dirtbag” leaves viewers with a lot to question and think about, maintaining a basis for conversation.
Roy is a solid debut, but ultimately it is neither good nor bad: overall, it is a fine beginning.