2020s
We are Living Things crafts something beautiful, even when it’s hard to adjust to.
Death on the Nile is certainly better than his recent films, but it relies too heavily on its director/actor being enamored with his own material.
Pam & Tommy’s “The Master Beta” contains a gut-wrenching ending, the perceived actions of Pamela and Tommy justified in the pain and agony of the moment.
While the series does find its slower moments in episode three, the performances of these two alone are the driving force to return for more.
Inventing Anna is an engaging and mesmerizing story of exploration, desperation, psychology, and redemption. A Binge-worthy venture.
While elements of the setting and story may feel hauntingly familiar, Fabian: Going to the Dogs is a striking, singular film nonetheless.
It is not only a love letter to the passion exhibited by its subject, but an encapsulation of an inspiration that still lives on today.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.
Poly Styrene: I Am A Clichè keeps her legacy alive, while also recognizing that behind the iconic music and photos she was a real, flawed woman.
In his final report from Sundance Film Festival, Wilson Kwong reviews Happening and Girl Picture.
Last Survivors may fade to the recesses of your mind, but for a moment it may make you reevaluate your own idea of survival.
In her last report Kristy Strouse reviews You Won’t Be Alone, Something in the Dirt, Palm Trees & Power Lines and Hatching!
Kogonada’s science fiction drama set in a world of robotic children stars Colin Farrell, Jodie Turner-Smith, and Justin H. Min.
Whether it’s science fiction or simply a sensational real-life story, who doesn’t enjoy an inventive…
With God’s Country, director Julian Higgins takes an introspective dive into the underbelly of humanity’s darker instincts.