2020s
While crafts a uniquely haunting atmosphere, The Laureate focuses too much on its plot and not enough on the unique personalities of its characters.
With strong performances and technically sound decisions, A Banquet is let down by the immense wealth of perspectives it attempts to harness.
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
Free Chol Soo Lee tackles many subjects, but the way that it puts Chol Soo’s story and his tragedies front and center is exceedingly effective.
Tiktok, Boom looks at the general landscape of social media. Shalini Kantayya’s documentary explores widely but rarely dives too deep.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
And while nothing expressed here is groundbreaking, Futura is nonetheless a perfect, thoughtful time capsule of the age we’re currently in.
While not perfect and often lacking the emotional punch one might expect, ED Perkins’ uniquely minimalistic approach makes it an interesting experience.
Featuring an understated performance from Tim Roth, Sundown forces audiences to reevaluate all of our assumptions about him and his unconventional choices.
While not essential viewing, the film is a successful directorial debut by Jesse Eisenberg.
Yellowjackets is your new favorite show, or it will be once you sit down and watch it.
Scream is a knock-out success, showcasing the power horror inductions can still wield through modernization and an honoring of the past.
While filled with gorgeous shots of the desert landscape, Borrego fails to engage its audience.
Allow yourself to be transported by the sights and sounds of The Shepherdess and the Seven Songs and be rewarded with a powerful cinematic experience.
Made pre-COVID, Iuli Gerbase’s The Pink Cloud is about two people forced into lockdown together when a toxic pink cloud envelopes the world.