2020s
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
The Power of the Dog is a haunting, powerful character study by Jane Campion, amongst the best films of the year.
The new animated Diary of a Wimpy Kid tells a familiar story and executes it on an arguably bare minimum.
Ridley Scott’s House of Gucci is a biographical crime-drama about the woman who put a hit out on her ex-husband, Maurizio Gucci.
In the vein of Citizen Kane, the documentary sets out on the foolhardy task of finding Dean Martin’s Rosebud: the puzzle piece to unlock what made him tick.
From the very first frame, Netflix’s live action Cowboy Bebop takes its shot at Shinichirō Watanabe’s classic anime and misses.
Patrick Ridremont’s The Advent Calendar is a holiday horror film about a woman given the opportunity to walk again, but at what price?
Daryl MacDonald spoke with director Aneil Karia about his film The Long Goodbye, the Oscars, to his latest film Surge, and more!
With the finale, it seemed the pieces had lined up for a swift blow of justice, though as viewers will learn, it is never as easy as it seems.
With Bad Luck Banging or Loony Porn, director Radu Jude seeks to expose the hypocrisy inherent in those who find sex obscene.
In its final episodes, I Know What You Did Last Summer is able to reestablish the firm commitment it has promised at the series’ beginning.
I’ve always wondered why Black Friday had not been explored in a horror film. Director…
Dopesick is rapidly reaching its conclusion, “Black Box Warning” not only began to deliver the final punches, but began to bring closure to some.
Between its seemingly inconsistent mythology and a confusing timeline, Double Walker forces the audience to work harder to appreciate its strengths.
While it doesn’t dig as deep as one may hope, Becoming Cousteau is an honest yet engrossing portrait of one of the most iconic explorers.