2020s
Homeroom is empowering and it is inspiring, bringing a fresh perspective to the events of 2020 and to the future.
The film flounders in its overly long crawl but makes up for it in a repulsive final twist.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.
Under the Volcano chronicles the life of “Fifth Beatle” Sir George Martin’s secret recording studio in the Caribbean.
Naked Singularity tries to connect the legal and sci-fi elements of its story but ends up not quite capturing either aspect of the film.
New York Asian Film Festival 2021 Part One: ESCAPE FROM MOGADISHU, NINJA GIRL and BARBARIAN INVASION
In her first report from the New York Asian Film Festival, Lee Jutton reviews Escape from Mogadishu, Ninja Girl and Barbarian Invasion.
The Green Knight is an immersive, beautifully photographed if sometimes frustratingly structured fantasy adaptation.
Ryan Andrew Hooper’s The Toll is a Welsh Western that takes its cues from Clint Eastwood’s Unforgiven and flips them on their head.
Ghost ultimately haunts the viewer with tight dialogue, brave character development, and powerful storytelling.
In The Hidden Life Of Trees, conservationist Peter Wohlleben is a modern-day Lorax as he educates and speaks for the trees.
Written and directed by Edson Oda in his directorial debut, Nine Days is as thoughtful as it is beautiful, as heartbreaking as it is jovial.
Jungle Cruise is far from cringe or embarrassment, and sure, it’s never actively terrible. But the bar shouldn’t be set this low.
The Boy Behind the Door boasts some incredible shots, framing marrying with its lighting, crafting intrigue, and lasting impressions.
Despite a strong first half, Old, the latest nightmare from M. Night Shyamalan, quickly falls apart in the second half.