2020s
Slow and overall boring, Till Death only slightly leans into the intensity and intrigue it promises.
Fear Street Part Three: 1666, the third part of a trilogy, ties everything perfectly back to the first two films.
A creative exploration of the legacy of Moholy-Nagy, an artist who never became a household name and yet whose life’s work is nonetheless ever-present.
The Surge at Mount Sinai details the struggle early healthcare workers faced in the early stages of the COVID-19 pandemic.
While this could all lead up to an intriguing and genre-bending work, They Make Movies does not seem to know how to stick the landing.
While Settlers doesn’t quite reach its lofty goals, it instills a palpable sense of dread that keeps you planted in your seat.
Based on performances alone, it is a memorable coming-of-age tale, and it is a step in the right direction when it comes to destigmatizing mental illness.
Based on Hannelore Cayre’s novel, Jean-Paul Salomé’s La Daronne – Mama Weed in the U.S. – is a dark comedy about a translator-turned-queenpin.
Fear Street: Part Two – 1978 is a charming and at times, heartfelt horror film, but its moments of horror are often hidden from the viewer, creating a film that does not fully embrace its potential.
With its uneasy blend of action, comedy, and familial drama, Gunpowder Milkshake is ultimately an underwhelming movie.
With excellent performances, gentle direction, and an incredibly moving musical score by Alexis Grapsas and Philip Klein, Pig was a big surprise.
Fear Street Part One: 1994 is a fun, energetic slasher with enjoyable characters, an interesting overarching plot, and heartfelt relationships.
In Borderlands, six lives have been woven together seamlessly to symbolize the continuum of life and inseparability of human agency.
For the release of her new film, Holler, Film Inquiry sat down to speak with writer and director Nicole Riegel.
With No Sudden Move, Steven Soderbergh has crafted a fun and twisty neo-noir that makes the best of its ensemble cast.